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Florence (video game)

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A cartoon pale girl with black hair looks to the left. "Florence: an interactive story about love and life" is on the lefthand side. There is a yellow background.
Preview title image for Florence.
Publisher(s)Annapurna Interactive
Director(s)Ken Wong
Composer(s)Kevin Penkin
  • iOS
  • February 14, 2018
  • Android
  • March 14, 2018
Genre(s)Interactive novel, Minigames

Florence is an interactive story and video game developed by the Australian studio Mountains and published by Annapurna Interactive. The game was released on February 14, 2018 (Valentine's Day) for iOS and on March 14, 2018 for Android. In Florence, the player follows the story of 25-year-old Florence Yeoh as she lives her daily routine and meets Krish, a cellist she sees in the park. The game features little written dialogue and tells Florence's story through a series of brief chapters. The game uses basic puzzles to reinforce pieces of Florence's life as players progress through her story.

Lead designer Ken Wong wanted to create games that eschewed violence and was inspired by his work on Monument Valley to have a more narrative-focused experience that included puzzles. The game received favorable reviews that praised the game's art-style, music, and narrative structure.


Florence shows the awkwardness of a first date through a puzzle minigame. As Florence becomes more comfortable talking with Krish, the puzzles become easier.[1]

Florence is divided into 20 chapters, each featuring a different portion of Florence Yeoh's life.[2] The chapters are separated into six acts, which represent different portions of Florence's growth and change. The game plays out linearly, requiring input from the player in the form of short minigames which help mimic or reveal Florence's thoughts and actions.[2][3] These games include: Florence brushing her teeth, Florence following the sound of a cello to find Krish, Krish cleaning his room before Florence visits, and Florence packing up her things when Krish moves in—and giving Krish's things back to him when he moves out—among others. A single play-through of Florence takes approximately 30 minutes.[2]


The game follows Florence Yeoh, a 25-year-old woman who lives alone and is settled into a monotonous routine of working at her job and mindlessly interacting with social media on her commute.[4] One morning, her phone dies and she follows the sound of a cello and sees Krish, a street performer, for the first time.[4] Krish befriends her and they go out on some dates.[4][5] They kiss for the first time and begin to take their relationship more seriously. Krish moves in with Florence and is pushed by her to follow his dreams of being a great cellist. As a thank you, Krish gives Florence a painting set and Florence fantasizes about following her passion of being an artist.[3]

The couple have their first fight six months later at a grocery store.[6] After a year, the two have fallen into a routine and begin to drift apart.[4] After another fight, Krish moves out. Florence decides to quit her job and follow her painting passion, where she finds success.[3]


Ken Wong, the lead designer for Florence, wanted to create a game that eschewed violence.[7]

After his success with Monument Valley, game designer Ken Wong felt that he had done what he could at his development studio, Ustwo, and wanted to create his own studio.[8] He chose to move back to his native Australia after seeing the game development scene in Melbourne grow.[8] Wong founded a new company, Mountains, in Melbourne.[8][9]

After hiring staff, Mountains had no direction on what kind of game they wanted to create.[8] Wong's approach was to first hire the team and then come up with a solid game.[8] The staff discussed how film and books regularly explored love and human emotions, but that it was missing from game design and it would be a "good challenge."[8] They opted to move forward and create Florence.[8] It was the first game Wong had worked on since Monument Valley.[10]

Wong and the rest of the team wanted to create a game that eschewed violence.[7] Wong said, "I wanted to explore what kind of stories and what kind of dynamics we can get without resorting to violence."[7] Mountains decided to make the game on mobile so it could be as accessible as possible.[7] The team's goal was to create a game where players focus on exploring emotions instead of achieving goals.[10] In contrast to Wong's previous game, Monument Valley, Wong wanted to create an experience that was similar to a comic book or silent movie with a focus on narrative.[7] Wong and the team were inspired by film in creating Florence, and specifically cited 500 Days of Summer, Eternal Sunshine of the Spotless Mind, and Titanic.[7][11]

The developers wanted to make the game a linear experience early on in the process because of a concern that people with more life experience would make the "correct" choices and avoid the moral of the game.[12] Mountains was inspired by the way people consume other media for the emotional connections they bring, and wanted to bring that feeling to video games.[10] The team decided to use music as a substitute for dialogue throughout the game, with the cello representing Krish while the piano follows Florence.[13] Mountains used musical themes for the characters after accidentally creating them during development of the "Groceries" chapter, where Krish and Florence have their first fight.[12] Wong chose the name Florence as she was designed to be a Chinese Australian whose parents picked an "old fashioned name" for their daughter when they immigrated.[13]


Aggregate score
Review scores
Game Informer8/10[16]
IGN9.6/10 (Japan)[18]
Pocket Gamer4/5 stars[19]
The Guardian4/5 stars[20]
The Sydney Morning Herald(favorable)[1]
TouchArcade4.5/5 stars[21]

Florence was announced on October 24, 2017.[22] A demo shown publicly at PAX Australia 2017 focused on the first 15 minutes of the game.[22] The game received positive marks from Australian video game journalists.[22][23] Kotaku Australia's Rae Johnston called Florence her "stand-out game" and felt that the game's minigames succeeded in making her invested in the characters.[23] PC Authority's Alayna Cole praised the game for standing out with a story about love and diversity, describing it as feeling "like a rarity" in modern video game culture.[22]

Florence was well received by critics. CJ Andriessen of Destructoid described the game as "a truly beautiful product" and felt that the game was one of the most imaginative storytelling devices he had ever seen.[3] Tim Biggs of The Sydney Morning Herald felt that the minigames made Florence "truly special" and that it was "breathtaking and emotionally affirming".[1] Jordan Erica Webber of The Guardian praised Florence's ability to capture "what it's like to fall in love for the first time."[20] Eurogamer's Christian Donlan noted that the game's puzzle format to life doesn't "quite work" but still loved the journey the game provided.[4] The Hollywood Reporter's Patrick Shanley praised Wong and his team for nailing the "getting to know you" aspect of dating.[24] IGN Japan's Esra Krabbe called it a "universal work of art" and praised it as a game that anyone could play.[18] The Guardian's Simon Parkin listed Florence as his "Game of the Month" and noted that the game never felt trite and was well executed.[5]

Many reviewers compared the game to the WarioWare series.[25][6] The Verge's Andrew Webster compared the game to a "webcomic crossed with Warioware," and Polygon's Allegra Frank praised the game's minigames as making the emotional component of the game resonate with the player.[6][25] Destructoid's Andriessen echoed Frank on the effectiveness of the minigames and felt that the game was a "beautiful product".[3]

Criticism focused on some story elements, specifically its ending.[3][4][25] Destructoid's Andriessen stated that the game left him with a "pessimistic opinion" about love and noted that "it's the narcissistic pursuit of their real passion, art, that wins out in the end."[3] Eurogamer's Donlan felt that the ending traded "one easy cliché for another", although concluding that the ending's disappointment may have been the point.[4]


Florence composer Kevin Penkin (left), producer Kamina Vincent and creative director Ken Wong at the 2019 Game Developers Choice Awards

The game was a runner-up for "Best Moment or Sequence" with "Trying to Piece the Relationship Back Together" in Giant Bomb's Game of the Year Awards 2018.[26]

Year Award Category Result Ref
2018 Golden Joystick Awards Mobile Game of the Year Nominated [27][28]
The Game Awards 2018 Games for Impact Nominated [29][30]
Best Mobile Game Won
Best Debut Indie Game Nominated
Gamers' Choice Awards Fan Favorite Mobile Game Nominated [31]
Australian Games Awards Australian Developed Game of the Year Nominated [32]
2019 New York Game Awards A-Train Award for Best Mobile Game Won [33][34]
22nd Annual D.I.C.E. Awards Outstanding Achievement in Story Nominated [35][36]
Outstanding Achievement for an Independent Game Nominated
Portable Game of the Year Won
Outstanding Achievement in Game Direction Nominated
National Academy of Video Game Trade Reviewers Awards Game, Original Adventure Nominated [37]
Game, Special Class Nominated
SXSW Gaming Awards Excellence in Narrative Nominated [38]
Mobile Game of the Year Nominated
Game Developers Choice Awards Best Debut (Mountains) Won [39][40]
Best Mobile Game Won
Innovation Award Nominated
Best Narrative Nominated
15th British Academy Games Awards Debut Game Nominated [41][42]
Game Beyond Entertainment Nominated
Mobile Game Won
Narrative Nominated
Music Nominated
Original Property Nominated
Italian Video Game Awards Best Mobile Game Won [43]
Game Beyond Entertainment Nominated
2019 Webby Awards Best Art Direction Nominated [44][45]
Best Game Design Won
Best Music/Sound Design Nominated
Best Writing Nominated
Games for Change Awards Best Gameplay Nominated [46]


  1. ^ a b c Biggs, Tim (March 14, 2018). "Florence review: wordless love story is brief and breathtaking". The Sydney Morning Herald. Archived from the original on March 19, 2018. Retrieved March 18, 2018.
  2. ^ a b c Fogel, Stefanie (February 19, 2018). "'Florence' Is a Short, Bittersweet and Relatable Tale About First Love". Rolling Stone. Archived from the original on March 20, 2018. Retrieved March 18, 2018.
  3. ^ a b c d e f g h Andriessen, CJ (February 27, 2018). "Review: Florence". Destructoid. Archived from the original on April 16, 2018. Retrieved March 18, 2018.
  4. ^ a b c d e f g Donlan, Christian (February 19, 2018). "Florence is so much more than a love story". Eurogamer. Archived from the original on March 30, 2018. Retrieved March 29, 2018.
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  6. ^ a b c Webster, Andrew (February 14, 2018). "With just a few taps, Florence shows you how it feels to fall in love". The Verge. Archived from the original on April 13, 2018. Retrieved April 12, 2018.
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  10. ^ a b c Findling, Deborah (February 11, 2018). "The designer of 'Monument Valley' has a new game where users explore relationships, without prizes or big thrills". CNBC. Archived from the original on March 30, 2018. Retrieved March 18, 2018.
  11. ^ Frank, Allegra (October 24, 2017). "Monument Valley lead's next game, Florence, is like Eternal Sunshine of the Spotless Mind". Polygon. Archived from the original on April 13, 2018. Retrieved April 12, 2018.
  12. ^ a b Valentine, Rebekah (February 2018). "Interview: Ken Wong, and breaking with what a game 'should be' in Florence". App Trigger. Archived from the original on March 30, 2018. Retrieved March 29, 2018. Italic or bold markup not allowed in: |publisher= (help)
  13. ^ a b Weber, Rachel (February 14, 2018). "Fall in love with Florence, the new game from Monument Valley's designer". Games Radar. Archived from the original on March 28, 2018. Retrieved March 18, 2018. Italic or bold markup not allowed in: |publisher= (help)
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  17. ^ "Florence". GamesTM. No. 199. 2018. p. 83.
  18. ^ a b Krabbe, Esra (February 16, 2018). "Florence Review". IGN Japan (in Japanese). Archived from the original on March 12, 2018. Retrieved March 18, 2018.
  19. ^ Slater, Harry (February 14, 2018). "Florence review - "A moving, if a little brief, tale of love, loss, and life"". Pocket Gamer. Retrieved 7 April 2019.
  20. ^ a b Webber, Jordan Erica (February 23, 2018). "Florence review – powerfully relatable snapshots of first love". The Guardian. Archived from the original on March 18, 2018. Retrieved March 18, 2018.
  21. ^ Hodapp, Eli (February 13, 2018). "'Florence' Review – A Brief Fling". TouchArcade. Archived from the original on March 24, 2018. Retrieved April 12, 2018.
  22. ^ a b c d Cole, Alayna (November 6, 2017). "Hands-on Preview: Florence". PC Authority. Archived from the original on April 13, 2018. Retrieved March 18, 2018. Italic or bold markup not allowed in: |publisher= (help)
  23. ^ a b Walker, Alex (October 31, 2017). "What We Liked From PAX Australia 2017". Kotaku. Archived from the original on April 13, 2018. Retrieved April 12, 2018. Italic or bold markup not allowed in: |publisher= (help)
  24. ^ Shanley, Patrick (February 12, 2018). "This Mobile Game Captures What First Love Is Like". The Hollywood Reporter. Archived from the original on March 30, 2018. Retrieved March 29, 2018.
  25. ^ a b c Frank, Allegra (February 15, 2018). "The breathtaking Florence captures falling in love better than almost any game". Polygon. Archived from the original on April 13, 2018. Retrieved April 12, 2018.
  26. ^ Gesrtmann, Jeff (December 28, 2018). "Here's What Won". Giant Bomb.
  27. ^ Hoggins, Tom (September 24, 2018). "Golden Joysticks 2018 nominees announced, voting open now". The Daily Telegraph. Retrieved November 16, 2018.
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